MA Ceramics 2004

Matthew Rowe

These pheasants form a collection that investigates the British publics obsession with the exotic.   Though the collection I hope to create a group narrative by utilising the format of Staffordshire mantelpiece ware. I feel that the role of the mantelpiece conveys a strong reference to mundane or domestic issues. Substitution is the main thread that runs throughout this body of work. By referencing the history of British industrial ceramics and its improvisation of high art, I hope to draw parallels with the British seaside town's obsession with the exotic and attempt to portray itself as something that is more appealing than it really is.

Staffordshire ware was traditionally won at fairs and the subject matters would be related to popular tastes, such as exotic animals, and celebrities of the time. The narrative is carried by these amusement prizes because they depict the unobtainable and their inaccuracies would go unquestioned. I believe that this is something that is inherent throughout British culture.